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“Por le soie amisté”:
Essays in Honor of Norris J. Lacy.
BUSBY, Keith and Catherine M. JONES (Eds.)
Amsterdam/Atlanta, GA, 2000, xxxiv, 552 pp.
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Series:
Faux Titre 183
These essays are a tribute to one of North America’s most distinguished scholars of Old French literature, Norris J. Lacy. Dealing with a wide range of medieval works, they reflect the honorand’s own scholarly interests in medieval narrative and its reception in later periods. Together, the contributions are witness not only to the esteem in which Norris Lacy is held by the profession but also to the collegial spirit of the international community of medievalists.
Contents: Acknowledgments. Foreword. Publications of Norris J. Lacy. Bart BESAMUSCA: Bruun’s Wisdom: Moderation in Middle Dutch Literature. Frank BRANDSMA: Emergent Direct Discourse: The Performer’s Nightmare? Matilda Tomaryn BRUCKNER: Looping the Loop Through a Tale of Beginnings, Middles and Ends: From Chrétien to Gerbert in the Perceval Continuations. Mark BURDE: Sweet Dreams: Parody, Satire, and Alimentary Allegory in Raoul de Houdenc’s Le Songe d’Enfer. Glyn S. BURGESS: Women in the Fouke le Fitz Waryn. Keith BUSBY: Mise en texte and mise en image: Meraugis de Portlesguez in Vienna, ÖNB 2599. Carleton W. CARROLL: The Knights of the Round Table in the Manuscripts of Eric et Enide. Carol CHASE: Whatever Happened to Hector’s ‘Amie’? Love, Marriage, and Land in the Prose Lancelot. Maria Colombo TIMELLI: L’Histoire d’Erec en prose du manuscrit Paris, B.N. fr. 363 (ff. 193r°b-222r°b). Quelques remarques. Anna Maria FINOLI: Une biographie ‘épique’ de Tristan (Thomas de Saluces, Le Chevalier errant, vv. 4937-5442). Joan TASKER GRIMBERT: Paul Griffiths’ The Lay of Sir Tristram (1991): A Postmodern Palimpsest. Tony HUNT: Solomon and Marcolf. Sandra NESS IHLE: Generic Shift in Malory. Catherine M. JONES The Death of Bégon Revisited. †Hans-Erich KELLER: Richeut ou La lutte éternelle entre les sexes. Douglas KELLY: The Name Topos in the Chevalier aux deux épées. Elspeth KENNEDY: The Placing of Miniatures in Relation to the Pattern of Interlace in Two Manuscripts of the Prose Lancelot. William W. KIBLER: Sagremor in the Arthurian Verse Romances. Christopher KLEINHENZ: Erotismo e carnalità nella poesia italiana. Anne P. LONGLEY: The Lady of the Lake: Lancelot’s Mirror of Self-knowledge. Donald MADDOX: “A tombeau ouvert”: Memory and Mortuary Monuments in the Prose Lancelot. Peggy MCCRACKEN: Damsels and Severed Heads: More on Linking in the Perlesvaus. Philippe MÉNARD: Réflexions sur les coutumes dans les romans arthuriens. Jerry C. NASH: Constructing Hélisenne de Crenne: Reception and Identity. Rupert T. PICKENS: Villon on the Edge. Elizabeth W. POE: “La Vielle Truande”: A Fabliau Among the Romances of B.N., fr. 375. Jacques RIBARD: Quelques réflexions sur l’épisode de Calogrenant dans Le Chevalier au lion. Paul V. ROCKWELL: Apellation contrôlée: Motif Transfer and the Adaptation of Names in the Chevaliers as deus espees. Hans R. RUNTE: Marie de France’ Courtly Fables. Barbara N. SARGENT-BAUR: Philippe de Remi’s ‘ Conte de fole larguece”: A Fabliau with a Difference. Sara STURM-MADDOX: Arthurian Evasions: The End(s) of Fiction in Floriant et Florete. Jane H.M. TAYLOR: Translation as Reception: Boccaccio’s de Mulieribus claris and Des cleres et nobles femmes. Lori J. WALTERS: Resurrecting Gauvain in L’Atre périlleux and the Middle Dutch Walewein. Friedrich WOLFZETTEL: Le Thème du souvenir et la structure temporelle dans le grand chant courtois: Thibaut de Champagne et Gace Brulé.
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